recommended canvas size for digital artwork prints uk kids

recommended canvas size for digital artwork prints uk kids

zorich42757    April 28, 2023    Comment   

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This article covers the best canvas size and resolution for digital art. Choosing the best canvas size and resolution might not be easy when you have a certain project in front of you, and you want to get the best quality out of your art software. A large canvas size, like 3000 x 7000 px with 300 PPI (pixels per inch), will give you good results overall. Let’s explore the topic a bit more!

Canvas size refers to the dimensions of the digital workspace or the digital canvas you have when you start a new drawing in an art software like Procreate, Clip Studio Paint, or Adobe Photoshop.

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Resolution refers to the number of pixels per inch (ppi) or dots per inch (dpi) in an image. A high-resolution image will have more pixels or dots per inch and creates a clearer and sharper image. Low-resolution images may appear blurry or pixelated when printed or viewed at a larger size.

When creating digital art, it’s important to consider the final use or output of the artwork and choose a canvas size and resolution that will allow for clear and high-quality printing or display.

The best canvas size for digital art depends on the intended use or output of the artwork. A good starting point is to use 3000 x 7000 px canvas size at 300 PPI resolution for digital art.

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For digital illustrations or graphics that will be used for web or screen display, a canvas size of 72 ppi and a size of 800-1200 pixels is good enough.

For digital art that will be printed, a higher resolution of 300 ppi or more is recommended. The canvas size will depend on the desired final print size, with larger print sizes requiring larger canvas sizes. For example, a digital art print that will be 8″ x 10″ at 300 ppi would need a canvas size of 2400 x 3000 pixels.

It’s important to remember that larger canvas sizes will require more RAM (random access memory) and processing power, so it’s important to consider the capabilities of your computer or device when choosing a canvas size for digital art.

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As a general rule, a higher resolution is better for printing as it allows for more detail and clarity. Higher resolution images create larger file sizes, so take this into account when creating digital art in high resolution.

For printable digital art, a resolution of 300 pixels per inch (PPI) is considered the best resolution to have. This is the standard resolution for high-quality printing and will produce excellent results for most purposes.

For web use, 72 PPI is often used as the standard resolution. This is because, in web use, you don’t need the extra sharpness present in 300 PPI images. 72 PPI images also load faster as the pixel density is lower.

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Working higher than 300 PPI resolution rarely brings noticeable differences to the sharpness or quality of the final artwork. 300 – 400 PPI tends to be a good range to work in.

Current art software like Adobe Photoshop and Clip Studio Paint enables you to work on very high pixel sizes (30000 x 30000 px), so you usually don’t have to worry about art software not having enough pixels for you.

It’s important to know that the bigger resolution and canvas size you have, the more RAM (random access memory) is required from your computer. The speed of the RAM does not have as big of an impact as does the amount of RAM you have.

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32-64GB of RAM is enough for creating high-quality and high-resolution digital art. Having more than 64GB of RAM always helps, but most laptops or tablets don’t yet have more than 64GB.

If you use desktop PC, then you can have more than 64GB of RAM, as the only limitations come from the motherboard and CPU you have.

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Is all about digital creativity and creative online business. The site is filled with resources for creative entrepreneurs who want to leverage today’s digital tools. This site has information about digital products, digital art, and how to use next-gen technologies as creative tools to help creative people like you thrive as entrepreneurs.

Made with ♥ towards digital creativity. Copyright © since 2017 . All Rights Reserved. Trademarks and brands belong to their respective owners. is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites. also participates in affiliate programs with Shareasale, CJ, and other sites. is compensated for referring traffic and business to these companies. Read disclosure.It’s easy to walk into an art store, see a canvas that will fit on that empty spot of the wall and know it’s the canvas you need. But, what about digital art? The canvas looks like it’s the size of my screen, whether it’s small or large. It’s so easy to choose the wrong sizing and make a mistake. So, the question is, what’s a good canvas size for digital art?

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For printed work, your digital art canvas should be the same size as your desired final print. Use an inch to pixel converter to find your dimensions in pixels. The size of your canvas designed for the web depends on the platform you plan to display it on. The DPI of your canvas should be at least 150 for web work and 300 for print work.

If you plan to print your work, it really is as simple as choosing a canvas that’s the size of your desired final product. So, if you eventually want to print an 8×10 print, make your canvas 8×10.

If I’m unsure what size I want my final print to be, I take some time and figure it out. That’s how much I care about choosing the right canvas size from the get-go.

What's A Good Canvas Size For Digital Art?

To be fair, there have been a few times when I’ve jumped into a piece of art without knowing the exact sizing first. In those case, I aim for a larger canvas than I think I’ll need. Generally, I find it easier to scale my work down when printing, than scaling it up.

This is not always the case so, again, try to figure out your ideal canvas size ahead of time before you get started.

Also, it’s important that you DON’T resize your canvas after you’ve created it. This can cause issues with quality, sizing, and overall results. So, again, decide on your canvas size from the get-go before you get started.

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We have to think about DPI, which will change the size of your canvas, even if you’re still aiming for an 8×10 print at the end of the day.

Not to mention that it becomes more complicated when thinking about digitally displaying your work. How the heck do we know the size of Instagram posts?

Later in this post, we’ll talk about what you need to consider when choosing a DPI for your canvas and how it impacts its size. That said, if you couldn’t care less about how all of this works and just want a clear answer on what size canvas you should pick for your digital art, I totally get it.

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Here’s a chart you can use. These dimensions are based on 300 DPI, which is generally considered to be the minimum DPI for print work. And, as we’ll talk about more in depth in the next section, choose a larger size if you’re not exactly sure what size you’ll want or need.

You’ll notice more quality loss when you scale a small image to a larger size than when you scale a large image to a smaller size. You still want to be in the ballpark, but be in the larger end of the ballpark.

Ok, another thing that’s important to understand is DPI. It’s really easy to get confused by DPI since it seems to magically balloon your canvas size. There’s a reason for it though and it doesn’t actually impact your canvas size in the way you would think.

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DPI stands for dots per inch. As the name suggests, it tells you how many dots can fit into an inch of printed work (source). So, the larger the DPI, the more dots of ink will be in each inch of your printed final product.

In general, all printed work should be a minimum of 300 DPI, but you can go higher if you plan to print posters and larger pieces of work.

If you change your DPI after you’ve entered in your pixels, it will change your pixel number. The reason for this is because DPI (or

Canvas Print Sizes Guide

what size canvas should i use for digital artists ukg production

what size canvas should i use for digital artists ukg production

zorich42757    April 27, 2023    Comment   

Choosing a canvas size is one of those horrible math-filled topics that are terrifying and mysterious the first time you try and do digital art, or start considering printing your art. It is important to make sure that you do not start with a canvas that is too small because you cannot make it larger later without losing quality. But what is “too small”? How large can you go? This comprehensive guide should help you jump into the confusing world of pixels, printing and canvas size guesstimates. You don’t need to understand it all, but it’s a good idea to understand it a little!

The desktop versions have unlimited canvas sizes, limited only by your computer memory. The mobile apps have capped sizes, due to the limited memory (RAM) in phones and tablets.

Pixels are the units of the internet. Every image on your screen is made up out of many, many little pixel dots, and this is what you are‘painting’ with.

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Every digital image contains a specific number of pixels, and the size of your canvas is literally just picking how many pixels you want to start with. The bigger your image, the more detail you can add, and the larger you can print. However, you don’t actually need a very large canvas size if you just want to share your work online. However, the bigger your image, the more memory it uses and the slower things might get (this is why the mobile apps have capped canvas sizes).

Print size is an estimate based on your pixel size (the ‘real’ size of the image) and the ‘Pixels/Inch’ measurement (also known as DPI/PPI), which tells the printer how detailed the final image should be. But you don’t need to worry about that unless you are trying to get a really specific printing result.

Do you need to print it? Calculate the largest size and exact aspect ratio that you’ll need and use that so you don’t have to worry going forward.

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I’m serious about the aspect ratio, by the way; you can usually fudge the print quality a bit (paintings are blurrier that photos by default so you don’t need to be as picky), but if your actual width:length ratio is wrong? You may have to make some painful cropping decisions as most print places only carry a specific range of paper sizes.

Don’t forget to untick‘Preserve Aspect Ratio’ as that will force your width and height to stay the same relative sizes, so you’ll be stuck in an endless update loop.

Does it need to be high quality and detailed? Probably 5000-15, 000. You’ll need to figure this out as you go, but you can resize your canvas as you work, and you may find you don’t like working at large sizes (as it affect tool size and computer speed).

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Or is it just a quick sketchy image for the internet or a lowish quality web graphic? Pick a smallish basic size between 1000-4000 pixels and don’t worry about it. You can go even smaller, but usually you don’t need to.

I generally draw web graphics at twice their final size, which gives me some flexibility if I want to crop it or change the aspect ratio and means I don’t have to worry about quality loss for the fine details.

Bigger is always safer, as you can scale down as needed, but you might not like working at large sizes, so it’s a personal decision. I usually work at around 3000-5000 pixels a side, unless I know I will need a larger image for a specific result (e.g. I can make a small poster out of that, but the quality might not be great. On the other hand, I regularly sold A3 posters and even created an A2 poster out of a 3000 pixel image once and they sold just fine!).

Pixel Pattern Of A Digital Glitch / Abstract Background, Pattern Of A Digital Glitch Canvas Print

If you are uploading your work to an online print on demand website, you may find that their system requires some very specific sizes and DPI settings. This is to avoid people uploading truly unsuitable images, but if

Are confident that your image will be fine and doesn’t need to be the size they are requiring, just artificially resize your canvas upwards before uploading. How much you can get away with this is going to vary on a case by case basis, but paintings are usually soft edged and can be upsized about 30% before you see noticeable issues. But you will always see

Set the zoom level to 100% in . This will show you how big the canvas actuallyis relative to your screen size. It’s very easy to lose sight of the actual size when zooming in and out to work ;D

X35/120x30 Cm Size Canvas Painting

Do the Pixels Per Inch x Pixel calculation: This is the horrible mathy bit that makes people’s heads hurt.If you need 300 pixels for each inch, what does 3000 pixels divide down into? (Ten inches ;D).

You can also ignore the nasty math and just toggle back and forth between the canvas size tabs in , which calculates this for you.

Screen Size uses pixels. Print Size lets you set the units (mm, cm or inches), but the Pixels/Inch measurement is very important here, because it is calculating the size based on your pixels.

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The pixel size is the‘real’ size of your file, so we highly, highly recommend getting used to what the numbers mean. A 5000 x 10, 000 pixel canvas (which is large for most purposes) may be muchhigher than you need, or it may be just right.

Calculating the ‘perfect’ print size is a topic that tends to cause a lot of argument amongst ‘real’ artists (and photographers), for whom it is very important to get exactly the right result, but the easiest way to estimate the size for now is to switch over to the ‘Print Size’ tab in the canvas size screen (see picture).

Once you know what pixel size you like working at, you can ignore the‘Print Size’ tab and the Pixels/Inch measurement entirely, and just set those when you go to actually print something.

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DPI = dots per inch, or how many ink drops. PPI = pixels per inch. These days they’re essentially the same thing and used interchangeably.

72 is‘screen resolution’ and generally not great. 450 is super high quality overkill that most printers can’t even manage. 150-300 is a good range for art printing.

The‘recommended’ DPI/PPI amount is usually set by a) photographers or b) Very Serious Artists. These people needvery, very high pixels per inch because photographs do not look good when slightly fuzzy and Serious Artists will be printing out very high quality images on expensive paper and needing to consider everything down to the type of ink.

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You probably do not need that. You can probably get away with 100 pixels per inch. The only times you need to worry a lotabout the exact pixels per inch is if you:

If you’re not sure what ‘too low but only slightly’ will look like in real life, pick up some random printed pictures or leaflets, hold them up to your nose and try and see if you can actually see any pixels. The cheaper the printing, the more likely you are to see low quality graphics! Then hold it at arms length and have another look – you’ll often find that the pixelated images look fine if you aren’t rubbing your nose on them, so you have a lot more leeway when creating very large posters.

Or just randomly print out some test images on computer paper. Your home printer will almost always use 72 DPI, so it’s very easy for you to see if that’s usable or not.

What Makes An Image Perfect For Printing On Canvas?

Complicated because every screen is different and websites will display everything differently, but most of the time, the actual size you need will be far, far smaller than the size you need for printing, so you’ll rarely run into quality issues. This can mean that problems won’t show up until you go to print!

Your screen resolution is somewhere between 600 and 1920 pixels across. That’s smallerthan the maximum canvas size in our mobile apps (which is 2048×2048 pixels). So you could easily create a screen size canvas using the ‘Use Window Size’ button and not really worry about the quality or size.

Facebook and other social media sites tend to shrink pictures to a standard size that are easy to browse, but aren’t always the best size for sharing fullsize, detailed, art. Facebook shrinks images to around 900 pixels wide, so as long as your images are bigger than that, they will always be full size – for Facebook! – when you upload them.

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To find out the exact size you need, try downloading an image off the website and then open it in an image editor or right click on it and have a look at the properties.

The larger your image, the more likely you are to run into problems with memory, as you start working with a larger and larger file, or the tool sizes may just not scale up enough for your purposes. If you can’t create

digital art article 2015 honda cr-v

digital art article 2015 honda cr-v

zorich42757    April 27, 2023    Comment   

2015 Honda CR-V is the 2015 Motor Trend SUV of the YearDynamic Do-Over: Honda Takes Another Swing at its Fourth-Gen CR-V, and Connects

Honda has had to take a couple of mulligans lately. When the ninth-gen 2012 Civic launch fizzled, the car got a do-over for '14, bringing much-needed styling and powertrain upgrades. Similarly, the fourth-gen 2012 CR-V missed the small-overlap crash-test boat, earning a "marginal" rating that nixed its chances at the coveted Top Safety Pick ranking. It also drew criticism for being less fun to drive than its rivals, due in part to its quaint old five-speed automatic. The fix: a 2015 reboot, and a second chance. We're open-minded about second chances -- mid-cycle fixes earned the 2010 Fusion our Car of the Year calipers -- so let's see how Honda's redemption-edition CR-V stacks up against the criteria.

In nine pages of compiled notes from nine judges, the few references to the CR-V's exterior design ranged from MacKenzie's "Not the most beautiful or innovative C-segment SUV design, but not the worst, either, " to Evans' "Not a big fan of the latest styling updates." Then again, design was low on the priority list this time around for a vehicle that continually outsells its rivals to rank as the best-selling entry CUV ever. And at least nobody reviled it, as some did the chrome-beaked Cherokee. The interior design is equally staid, but its ergonomics generally drew praise, except for the infotainment system, which was universally reviled for its lack of knobs, unintuitive function, and graphics that don't match those on the other various screens. Our youngest judge, Seabaugh, reckoned that his peers would liken the difference between the CR-V and Jeep systems to that of "an old T-Mobile Sidekick and an iPhone 6." It does boast a segment-first HDMI input, but none of us can imagine wanting to sit in a parked CR-V and watch a movie on a dash screen that's smaller than an iPad.

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Ah, now here's a criterion Honda can sink its teeth into. Powertrain revisions tasked with improving the fun quotient include a new "Earth Dreams" 2.4-liter engine that gets direct injection and a commensurate compression bump from 10.0:1 to 11.1:1, along with a new, lighter die-cast aluminum block (with the same bore and stroke) and myriad friction reductions. Horsepower still peaks at 185, but does so 600 rpm earlier (at 6400), with torque jumping from 163 lb-ft at 4400 rpm to 181 lb-ft at 3900 rpm.

That engine is hooked to a continuously variable automatic much like the Civic's, about which we've sung nothing but hosannas. This unit employs a torque converter and a "G-design Shift Logic" strategy that combine to feel completely "normal" in gentle everyday driving -- no rubber-bandiness. But nail the gas to pass and the trans delivers a snappy downshift to a ratio near the power peak. "CVT is very good, especially in Sport mode -- keeps revs in the sweet spot and doesn't fake shift like Outback and Rogue, " noted Kiino. This new setup shaves 0.6 second off our last AWD automatic CR-V's 0-60 time, at 8.5 seconds. That's still mid-pack in the class, but accompanied by that trademark Honda engine wail, it feels downright sporty. Lieberman welcomed Honda's "return to form as a company known for making some of the best engines in the business."

The chassis also underwent a thorough rethink with a new front subframe and lower control arms, revised spring and damper rates all around, and new bushings, anti-roll bars, and geometry (a half-degree less camber and 0.6-inch wider track front and rear). The steering ratio tightens from 16.7:1 to 15.6:1. Seabaugh, frustrated with the last CR-V, enthused, "This feels like a Honda should, with light steering, great feedback, and competent handling chops. It's way more fun than any compact crossover ought to be." Evans concurred: "You can kind of fling it around like a Fiesta ST. It's fun in that way." And Kiino complimented the ride/handling trade-off, noting that "it feels planted but never harsh."

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The entry CUV's job is easily defined: help a small family haul its gear anywhere with ease and confidence in any weather. Nobody expects these CUVs to scale the Rubicon, and our CR-V's aggressive tire treads and on-demand AWD handled our steep, silty gravel hill with minimal fuss. Like its little brother, the Fit, the CR-V boasts savvy packaging. "The second-row legroom and load space are excellent in relation to the vehicle's footprint, " MacKenzie noted. Indeed, the CR-V's ratio of interior to exterior space tops those of the RAV4, Forester, Escape, Rogue, and CX-5. But more important than sheer size is the ease with which that space is utilized. Expanding the cargo hold from 35.3 to 70.9 cubic feet is as easy as pulling two levers in the cargo hold, setting in motion a purely mechanical series of flips and folds of the rear seatbacks to render a nearly flat (and low) load floor. There are bag hooks, tie-downs, and a small net in back, and the side doors open nearly 90 degrees for easy access. On the negative side, there are no power outlets of any type in the rear seat or cargo areas; the optional power tailgate is driven by a motor that occupies a giant goiter on the driver's side D-pillar (the strut mounted screw jacks are state-of-the-art); and as Evans noted, "There's a lot of wind and road noise on the freeway -- louder than most of the other vehicles here."

The switch to direct injection and a continuously variable transmission with a 33 percent broader ratio range than the old five-speed should boost fuel efficiency pretty notably, and indeed the combined 26/33 mpg EPA city/hwy figures represent an improvement of about 12 percent. But our Real MPG results are disappointingly similar to those of our last CR-V automatic with AWD: 20.6 city/28.7 highway/23.6 combined mpg, compared with last year's 20.5/28.9/23.6 (its EPA ratings were 22/30/25), so it's unclear whether you'll realize all that improvement. We eagerly await a chance to test out another not-so-early-build example.

Here again, there's been no official IIHS testing to report, but we're told the engineers reinforced the CR-V's occupant compartment with additional hot-stamped high-strength steel, and modified the engine compartment crash structure to better absorb the energy in small-offset crashes. Presuming their computer simulations have accurately predicted what IIHS will measure soon, the Top Safety Pick hurdle should be cleared. The available Honda Sense suite of camera/radar-based safety gear, including Collision Mitigating Braking Support, Lane Departure Warning, Lane-Keeping Assist System, and adaptive cruise control, are the "plus" cherry on top. LKAS had every editor raving. "An amazing piece of technology for the segment, " said Seabaugh. "The steering straightens you out; it doesn't send you ping-ponging down the road, " concurred Loh. The LaneWatch camera we've seen on Odyssey, Accord, and Civic arrives here too, displaying a blind-spot view of the right side of the car whenever that turn signal is on. LaneWatch comes with the EX trim level, but you have to pop for the new top-level Touring trim ($32, 350-$33, 600) to get Honda Sense goodies.

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Whatever you spend on a CR-V, IntelliChoice reckons you're getting a pretty good deal. It rates the current car Excellent in terms of cost of ownership, with five-year total operating costs averaging $32K-$35K -- $4300-$4500 less than the class average. Honda's legendary resale value is largely responsible. Comparing the current CR-V's costs with the averages in our August 2013 Big Test of a similarly equipped Ford Escape, Mazda CX-5, Subaru Forester, and Toyota RAV4, the Honda depreciates 13 percent less, with maintenance, repair, and insurance costs averaging 10 percent less.

Some years, a vehicle wins our calipers almost unanimously. This year our jury entered the final discussion split almost down the middle. After two hours of contentious debate, the CR-V's stellar value, engineering, and safety features combined with the cheerful way it performs its intended functions earned Honda the win. Arguments such as these tipped the balance: "The CR-V shows you don't have to lose the fun factor when buying something economical, " said Lago. "A careful rework of a best-seller, executed with typical Honda thoughtfulness, " echoed MacKenzie. Score another win for redemption.With added features at lower trim levels this year, you may find that the 2015 Honda CR-V EX has enough bells and whistles to keep your family happy at a reasonable price.

The 2015 Honda CR-V is neither sporty nor particularly quick, but fuel efficiency is excellent and it prioritizes interior space, earnest practicality, and cleverly chosen features in a way that buyers appear to crave.

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The 2015 Honda CR-V isn't one of the sportiest entries in its class of compact crossovers, but it's decidedly ahead of the norm in just about every other way—especially catering to families with excellent safety features and ratings, and impressive interior room and cargo capacity that rivals vehicles a size larger.

The CR-V gets some significant updates for 2015, which should add to the appeal of a vehicle that's been one of the

Whatever you spend on a CR-V, IntelliChoice reckons you're getting a pretty good deal. It rates the current car Excellent in terms of cost of ownership, with five-year total operating costs averaging $32K-$35K -- $4300-$4500 less than the class average. Honda's legendary resale value is largely responsible. Comparing the current CR-V's costs with the averages in our August 2013 Big Test of a similarly equipped Ford Escape, Mazda CX-5, Subaru Forester, and Toyota RAV4, the Honda depreciates 13 percent less, with maintenance, repair, and insurance costs averaging 10 percent less.

Some years, a vehicle wins our calipers almost unanimously. This year our jury entered the final discussion split almost down the middle. After two hours of contentious debate, the CR-V's stellar value, engineering, and safety features combined with the cheerful way it performs its intended functions earned Honda the win. Arguments such as these tipped the balance: "The CR-V shows you don't have to lose the fun factor when buying something economical, " said Lago. "A careful rework of a best-seller, executed with typical Honda thoughtfulness, " echoed MacKenzie. Score another win for redemption.With added features at lower trim levels this year, you may find that the 2015 Honda CR-V EX has enough bells and whistles to keep your family happy at a reasonable price.

The 2015 Honda CR-V is neither sporty nor particularly quick, but fuel efficiency is excellent and it prioritizes interior space, earnest practicality, and cleverly chosen features in a way that buyers appear to crave.

The 10 Best Honda Cr V Models Of All Time

The 2015 Honda CR-V isn't one of the sportiest entries in its class of compact crossovers, but it's decidedly ahead of the norm in just about every other way—especially catering to families with excellent safety features and ratings, and impressive interior room and cargo capacity that rivals vehicles a size larger.

The CR-V gets some significant updates for 2015, which should add to the appeal of a vehicle that's been one of the

zoomable digital arthropods minecraft modsy

zoomable digital arthropods minecraft modsy

zorich42757    April 27, 2023    Comment   

Minecraft mods on curseforge the home for the best minecraft mods discover the best minecraft mods and modpacks around minecraft is an action adventure sandbox game where players can build pretty much anything they like explore their surroundings craft items and even engage in combat

47 downloads 1 today 12 6 1 download texture pack how to install minecraft resource packs danielwastaken level 25 expert artist 5 i 39 ve made all the arthropods in the game silverfish bee spider etc accurately sized requires optifine to work create an account or sign in to comment 1 7 months ago coffeebug upvoting for funny

This mod adds over 10 modded minecraft mobs new modded food new modded armor and a new modded weapon this mod has spiders scorpions crabs etc i am a participant in the amazon services

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Every arthropod in minecraft the term arthropod refers to an in game classification regrouping all bug like mobs contents 1 classification 2 list of mobs 3 history 4 gallery 5 trivia 6 references classification arthropods take extra damage and receive slowness iv when hit with a weapon enchanted with bane of arthropods enchantment

Hello welcome to a look at the wip mod the arthropods dimension so much potential for an epic creepy crawly kingdom please leave a like if you enjoyed t

Better arthropods datapack v1 3 spider cave spider endermite and silverfish drown in water better arthropods datapack v1 4 added simulation distance you can modify it read more information on datapack page optimized datapack improved spider movement on ceilings added new animation to invisible spider added new sounds to special spiders

A Warframe Beginner's Guide

Minecraft mods on curseforge the home for the best minecraft mods discover the best minecraft mods and modpacks around minecraft is an action adventure sandbox game where players can build pretty much anything they like explore their surroundings craft items and even engage in combat

Minecraft pe texture packs 9 may 2022 updated universal pack v1 4 0 renderdragon compatible with all devices the universal pack renderdragon support is a resource package that focuses on beautifying our minecraft to have a better gaming experience it works on any device and is 100 script

A small mod that adds more mobs to minecraft contribute to infernalstudios arthropod expansion development by creating an account on github

Retro Gamer №119 By Michel França

Arthropods are invertebrate having an exoskeleton a segmented body and paired jointed appendages this includes an interesting range of minecraft mobs bane of arthropods all these mobs are effected by the bane of arthropods enchantment and take additional damage from an item with this enchantment

Mods that allow you to stack enchaments are there mods where you 39 re able to stack enchantments on the same weapon e i sharpness smite bane of arthropods on a diamond sword also is there a mod that allows you to exceed highest enchantment tier or atleast modify it e i sharpness x or unbreaking v 4 5 comments best add a comment

Bees bees in a meadow biome image via mojang bees are the most recent arthropod to be added to the game since the 1 15 update this mob is arguably the least scary arthropod and is the only one

Earth Mobs Mod Minecraft Mods

Arthropods are a group of mobs in minecraft these mobs are the cave spider spider and silverfish not all of them are insects but they 39 re all bugs these are damaged extra by the enchantment bane of arthropods informally called flyswatter trending pages silverfish endermite redstone bug spider jockey all items 6 a b c d e f g h i j k l m n

Level 58 grandmaster miner 103 the difference between the spyglass and this is that this is adjustable which means you can customize how you can activate it and you can also adjust how far it 39 s gonna zoom features customizable zoom distance and different types of activations

Desert tarantula arthropod type mob currently there are very few mobs affected by the bane of arthropods enchantment the only one which is encountered frequently is the spider while there might not be much use to use it if there are more mobs affected by it it justifies its inclusion

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Every arthropod in minecraft the term arthropod refers to an in game classification regrouping all bug like mobs contents 1 classification 2 list of mobs 3 history 4

Arthropods are invertebrate having an exoskeleton a segmented body and paired jointed appendages this includes an interesting range of minecraft mobs bane of arthropods all these mobs are effected by the bane of arthropods enchantment and take additional damage from an item with this enchantment

Mods that allow you to stack enchaments are there mods where you 39 re able to stack enchantments on the same weapon e i sharpness smite bane of arthropods on a diamond sword also is there a mod that allows you to exceed highest enchantment tier or atleast modify it e i sharpness x or unbreaking v 4 5 comments best add a comment

Bees bees in a meadow biome image via mojang bees are the most recent arthropod to be added to the game since the 1 15 update this mob is arguably the least scary arthropod and is the only one

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Arthropods are a group of mobs in minecraft these mobs are the cave spider spider and silverfish not all of them are insects but they 39 re all bugs these are damaged extra by the enchantment bane of arthropods informally called flyswatter trending pages silverfish endermite redstone bug spider jockey all items 6 a b c d e f g h i j k l m n

Level 58 grandmaster miner 103 the difference between the spyglass and this is that this is adjustable which means you can customize how you can activate it and you can also adjust how far it 39 s gonna zoom features customizable zoom distance and different types of activations

Desert tarantula arthropod type mob currently there are very few mobs affected by the bane of arthropods enchantment the only one which is encountered frequently is the spider while there might not be much use to use it if there are more mobs affected by it it justifies its inclusion

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Every arthropod in minecraft the term arthropod refers to an in game classification regrouping all bug like mobs contents 1 classification 2 list of mobs 3 history 4

what size canvas should i use for digital art images freecell game

what size canvas should i use for digital art images freecell game

zorich42757    April 27, 2023    Comment   

It’s easy to walk into an art store, see a canvas that will fit on that empty spot of the wall and know it’s the canvas you need. But, what about digital art? The canvas looks like it’s the size of my screen, whether it’s small or large. It’s so easy to choose the wrong sizing and make a mistake. So, the question is, what’s a good canvas size for digital art?

For printed work, your digital art canvas should be the same size as your desired final print. Use an inch to pixel converter to find your dimensions in pixels. The size of your canvas designed for the web depends on the platform you plan to display it on. The DPI of your canvas should be at least 150 for web work and 300 for print work.

If you plan to print your work, it really is as simple as choosing a canvas that’s the size of your desired final product. So, if you eventually want to print an 8×10 print, make your canvas 8×10.

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If I’m unsure what size I want my final print to be, I take some time and figure it out. That’s how much I care about choosing the right canvas size from the get-go.

To be fair, there have been a few times when I’ve jumped into a piece of art without knowing the exact sizing first. In those case, I aim for a larger canvas than I think I’ll need. Generally, I find it easier to scale my work down when printing, than scaling it up.

This is not always the case so, again, try to figure out your ideal canvas size ahead of time before you get started.

If You Wanted To Do, A Digital Piece Of This Magnitude With This Much Detail. What Would Your Dpi Be, Canvas Size Be, What Would Resolution Be?? Because I Don't Want Lines

Also, it’s important that you DON’T resize your canvas after you’ve created it. This can cause issues with quality, sizing, and overall results. So, again, decide on your canvas size from the get-go before you get started.

We have to think about DPI, which will change the size of your canvas, even if you’re still aiming for an 8×10 print at the end of the day.

Not to mention that it becomes more complicated when thinking about digitally displaying your work. How the heck do we know the size of Instagram posts?

What Size? Canvas Print By Smorgan831

Later in this post, we’ll talk about what you need to consider when choosing a DPI for your canvas and how it impacts its size. That said, if you couldn’t care less about how all of this works and just want a clear answer on what size canvas you should pick for your digital art, I totally get it.

Here’s a chart you can use. These dimensions are based on 300 DPI, which is generally considered to be the minimum DPI for print work. And, as we’ll talk about more in depth in the next section, choose a larger size if you’re not exactly sure what size you’ll want or need.

You’ll notice more quality loss when you scale a small image to a larger size than when you scale a large image to a smaller size. You still want to be in the ballpark, but be in the larger end of the ballpark.

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Ok, another thing that’s important to understand is DPI. It’s really easy to get confused by DPI since it seems to magically balloon your canvas size. There’s a reason for it though and it doesn’t actually impact your canvas size in the way you would think.

DPI stands for dots per inch. As the name suggests, it tells you how many dots can fit into an inch of printed work (source). So, the larger the DPI, the more dots of ink will be in each inch of your printed final product.

In general, all printed work should be a minimum of 300 DPI, but you can go higher if you plan to print posters and larger pieces of work.

Artwork Description: Digital Art, Print , Digital Arts By Sasha Robinson

If you change your DPI after you’ve entered in your pixels, it will change your pixel number. The reason for this is because DPI (or PPI) measures your dots per inch. So, if you increase it, your canvas will need more pixels to get the job done.

As long as you know the desired size of your final product and maintain a minimum of 300 DPI, you can let your design program decide what your pixel x pixel resolution will be. As you saw in the chart above, your inch x inch size relates to a specific pixel x pixel size, so you’ll be fine as long as you know one or the other.

Pixels and inches are just two different ways to measure something. One will always translate to the other as long as the DPI remains consistent.

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It’s much easier to know that you want a 8 x 10” print than a 2400 x 300 pixel canvas. As long as you have your DPI set correctly, your design program will pick the appropriate amount of pixels for the inches you need.

The reverse works as well. If you only know the pixels you need, your design program will turn it into the proper inches.

Personally, I just set my design to 300 DPI and just go with whatever number I already know. If I’m designing for the web, I use the pixels that are appropriate for a website. If I’m designing for print, I use the inches that I’ll be printing at. The rest just works itself out.

How To Print Digital Art (with Pictures)

Unless you’re designing a billboard, you probably won’t have to worry about creating a canvas so big that your design program can’t handle it. That said, it’s an important thing to keep in mind, since the maximum size for a design varies from iPad to iPad.

It’s hard to say what the max canvas sizes for varying programs are because it will depend on the DPI . In general, many programs can tolerate a certain number of pixels per design. Remember that the higher your DPI, the more pixels you’ll need. This means that you’ll get fewer inches of canvas space the higher your DPI is.

It’s more likely you’ll run into this issue with an iPad or tablet program because there is only so much that these small devices can support. For example, if you’re using Procreate, you might struggle to get a 24 x 36” poster size at 300 DPI.

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If you run into issues with maxing out your design program’s capacity, lower the DPI as much as you feel comfortable lowering it. While 300 DPI is recommended for print, anything above 150 DPI tends to print well. Talk with your printer and do a test print to see how low you can get your DPI while still getting the best print results.

If you plan to post your art on social media platforms, it can be good to review their image guidelines prior to deciding on your canvas size.

Choosing the right canvas size for your digital art is more complicated than walking into an art store and picking the canvas that will fill the blank spot on your wall. With some practice though, it will come easily and naturally.

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Simply choose your DPI and then size your canvas based upon what you’ll need as a final product. Luckily, with the magic of technology, our design programs will take it from there and deliver you the digital canvas that you need.

Diana has been an artist for over 26 years and has training in drawing, painting, digital drawing and graphic design. Diana’s latest obsession is digitally drawing with Procreate and creating t-shirt designs with Canva. Diana has experience selling her art across a number of platforms and loves helping other artists learn how to make money from their art as well.

Adventures with Art is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com. We also participate in other affiliate programs which compensate us for referring traffic.

Abstract Colorful Vector Technology Circle Pixel Digital Gradient Background With Violet, Blue, Pink Colors. Business Bright Pattern Backdrop With Round Pixels In A4 Paper Size, Canvas Print

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X35/120x30 Cm Size Canvas Painting

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digital art jpeg converter length calculator app

digital art jpeg converter length calculator app

zorich42757    April 27, 2023    Comment   

JOIN THE NO CODE AI REVOLUTIONDiscover the power of No-code AI with Appy PieCreate powerful web and mobile applications and automate workflows easily and quickly without any coding.

Forget about the unbearably long waiting times and the unaffordable quotes you received for software project. Try Appy Pie for easy, quick, and affordable no-code solutions.

Super easy to use, our no-code platform’s drag and drop functionality lets you unify and simplify all your data into a single source. Appy Pie breaks all barriers and boundaries when it comes to no-code, offering you seamless integrations with other data sources, even applications.

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No-code with Appy Pie is different from anything else in the industry. It costs at least 1/10th of the industry standard and gets your product to the market ten times faster than the competitors.

Empower your business operations with workflow automation without getting bogged down by the complexities of coding. Appy Pie’s no-code workflow automation platform lets you create efficient integrations to build meaningful workflows.

Well-structured, easy to use, and affordable, Appy Pie’s no-code workflow automation platform lets anyone create as many integrations as they need to create a workflow unique to their business needs.

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Creating these workflows means you do not have to keep switching between multiple apps to bring uniformity to your data across platforms. Set up the right triggers for corresponding actions and create efficient systems without writing even a single line of code!

Make your business processes more efficient and eliminate any bottlenecks that could impact your customer’s overall experience. Appy Pie’s Business process automation software enables you to achieve your desired business efficiency.

Appy Pie’s business process automation suite includes Helpdesk, Live Chat, and Chatbot Builder. While the Helpdesk software helps you to manage customer requests and tickets, Live Chat allows you to provide live support to your customers. Using Chatbot Builder, you can manage all of your customer queries and improve customer satisfaction.

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Feature-rich, and easy to use, Appy Pie’s no-code business automation tools enable you to deliver superior customer results and drive business growth.

A few years ago, if you had an idea for a really good game, app, or another program, the only way to bring it to life was to either know to code (and pray you knew the right programming language) or be willing to learn on the fly. If you had money, you could hire someone to do it for you. That was pretty much it.

That’s not true anymore: now, instead of learning a whole programming language (or even several), you only need to understand how a single program works before you can work on your inspiration. While you’ll still need to be persistent and hard-working, the burden of technical knowledge has been lifted substantially.

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Anyone can use Appy Pie’s no-code technology. There is no need for formal training, education, or specific skill acquisition to use a no-code platform.

With Appy Pie, anybody can create applications, websites, chatbots, and more on any internet-connected device without having to hire a programmer or agency. No-code is the future of programming, democratizing technology so that anyone with a laptop and internet can bring their dream tech project to reality.

“You no longer need to become a programmer to build things on the internet, empowering a new wave of makers from different backgrounds and perspectives, ” said Ryan Hoover, Founder of Product Hunt.

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So, whether you are a non-tech employee, an entrepreneur, or any other kind of business user, you can easily use Appy Pie’s no-code platform to make your own pieces of software. Appy Pie’s drag-and-drop interface makes it possible for everyone to build their own applications, empowering citizen programmers and putting a check on the rise of shadow IT.

Gartner estimates by 2025, 70% of new applications created by enterprises will use no-code or low-code technologies (up from less than 25% in 2020).

However, it is not just the non-coders who can benefit from no-code technology. Here’s what Sahil Lavingia, Founder and CEO of Gumroad, tweeted about it.

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Some of our top creators are incredibly competent engineers who don’t want to deal with payments, fraud, VAT, and other burdens that come with selling stuff online.

There has been a lot of conversation around no-code, and the adoption rate is quite high. Microsoft anticipates that the 500 million apps it expects will be created over the next five years, 450 million will be designed on no-code low-code platforms.

However, just because everyone else is choosing no-code, it does not mean you should too. Let’s look at why a no-code platform like Appy Pie may be the perfect choice for you!

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Using external resources and agencies for creating enterprise-grade applications can burn a hole in your pocket. Moreover, it would be a challenging exercise, as it requires constant back-and-forth on every minute aspect, which makes it limiting and restrictive. At the same time, you would hardly ever be able to access the application’s backend.

Therefore, internal application creation is critical, but most enterprises are unable to afford it due to budget and human resource constraints. The cost of hiring skilled programmers is very high, which is where Appy Pie’s no-code platform comes into the picture. Instead of hiring a whole team of programmers, you can invest a fraction of that cost into your Appy Pie subscription. Appy Pie’s no-code software lets anyone, irrespective of their technical expertise, budget, or time constraints, build their own business applications.

With the no-code platform, users can enjoy a plethora of customization features that allow them to modify their applications based on their evolving requirements. Users can change anything they want instantly without worrying about introducing bugs or glitches while trying to improve their application and add better features through the Appy Pie platform.

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Traditional methotds requires anywhere between 4 to 12 months and involves constant deliberations and discussions with the tech department. Every new feature addition would require a cycle of discussions and meetings with programmers, slowing down the entire process. No-code low-code platforms like Appy Pie can reduce the time by 90%.

No-code can accelerate speed-to-market (RedHat, 2018); what usually takes months can be reduced to just a few minutes. Depending on the type of application you want to build, it can take anywhere from 5 to 45 minutes to build and launch a fully functional app. When you build an app faster, you also get to deploy or release it faster for your customers.

This one shouldn’t come as a surprise to you. No-code reduces the cost of ownership. All the application data is stored on a secure cloud, reducing or, in fact eliminating entirely the need to spend on servers and their maintenance. It saves a massive amount of money as you only need to spend a minuscule amount on server maintenance with your cloud-based software application, compared to what you would with traditional methods.

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Because the no-code is considerably cost-effective, it can offer you a better return on your investments. You can save up on a lot of your resources while using Appy Pie’s no-code technology, compared to what you would have spent on traditional methods.

100% of low-code enterprises have received ROI from their low-code adoption. (Appian, 2019). These ROIs are even greater when it comes to Appy PIe’s no-code technology. A better ROI also means that investing in no-code is a lower risk. In case your application fails, you are likely to have spent a lot less on your project than you would if you were to choose traditional methods.

No-code can be learned and used by anyone with limited to no technical expertise or understanding. Appy Pie’s simple drag-and-drop visual editor allows users to add features of their choice without having to write even a single line of code. The process is relatively intuitive, and the learning curve is almost flat. This is why no-code has gained such wild popularity among small businesses, solopreneurs, and startups. There is no need to acquire any special training, nor is there a need to hire a programmer or an agency to do the heavy-lifting for you. Anyone can use it to create their own pieces of software.

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By 2024, 80% of technology products and services will be built by those who are not technology professionals (Gartner, 2021). If we have learned anything from the past, it is that technology is moving towards convenience, and no-code platforms give you just that! The global no-code low-code platform market is forecast to amount to $65 billion U.S. dollars by 2027.

No-code is here to stay, and if you start using a no-code platform today, you will definitely have found a way to stay ahead of the curve. No-code is the future of applications, and it is only going to evolve more in tune with the changing demands of the market.

Gartner predicts that half of all new no-code low-code clients will come from business buyers outside the IT organization by year-end 2025.

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It doesn’t get easier than this. Appy Pie’s drag-and-drop interface allows anyone to pick and choose the exact feature blocks they want in their software. Whether you are building an app for a salon, a website for a restaurant, or an eCommerce chatbot, you only need to

digital art festival zürich zoo 2020 live

digital art festival zürich zoo 2020 live

zorich42757    April 26, 2023    Comment   

This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statemts consisting only of original research should be removed. (October 2015 ) (Learn how and wh to remove this template message)

The following is an incomplete list of music festivals that feature electronic music, which capsulates music featuring electronic instrumts such as electric guitar and keyboards, as well as rect gres such as electronic dance music (EDM). Many of the festivals in this list take place in the United States and Europe, though every year thousands of electronic-focused music festivals are held throughout the world. This list gerally excludes multi-gre festivals with only a partial focus on electronic music (Glastonbury, Summer Sonic Festival, and Big Day Out) and festivals that have added EDM stages in later years.

Since the early 1900s there have be music festivals that featured electronic instrumts, as electronic sounds were used in experimtal music such as electroacoustic and tape music. The use of live electronic music greatly expanded in the 1950s, along with the use of electric guitar and bass. With the advt of new technologies in the 1960s, electronic gres such as electronic rock, electronic jazz, disco, computer music, synthpop, psychedelic rock and ambit music followed, with large free festivals showcasing the sounds into the 1970s. There has be a significant change in the capabilities of amplifiers, sequcers, and mixing synthesizers since 1980, as well as computers and digital audio workstations. This has giv electronic musicians and DJs the ability to mix elaborate and complicated music in forms such as techno, electronica, trance, house or industrial, all of which have large festivals, raves, technoparades, algoraves, doofs, or teknivals in their sole dedication.

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A number of festivals for classical music and folk music in the late 1800s and early 1900s periodically featured electronic instrumts and electroacoustic improvisation, though they were not necessarily a regular feature. Some of these festivals included Leeds Festival (1858–1985) in gland, the folk festival Þjóðhátíð (1874–prest) in Iceland, and Glastonbury (1914–25) in gland.

A vital party of the history of electronic music, this festival paved the way to the concept of establishing small festivals to prest new and experimtal musicians. After World War I, a significant increase in new electronic instrumts took place, becoming featured elemts of the festival. In 1926, Jorg Mager invted an electronic instrumt without a keyboard, called the Spharophon, among others, which was shown at the festival.

Lord Montagu of Beaulieu holds an annual trad and modern jazz festival in the ground of Beaulieu estate, in the New Forest. Attracts beats and jazz ecctrics, called 'ravers'.

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ONCE Group was responsible for hosting. During the years the festival was active, a number of avant-garde composers’ works were performed, including Pauline Oliveros, David Behrman, Roger Reynolds, Ge Tyranny, and Philip Krumm. The compositions and the performances served as a laboratory for new approaches in both acoustic and electronic music.

Was a binial festival for contemporary music sponsored by Radio Brem from 1958 to 2001. It was founded by Hans Otte. Pro Musica Nova introduced the public to the music of experimtal composers including Karlheinz Stockhaus, John Cage, Mauricio Kagel, György Ligeti, Terry Riley, La Monte Young, Conlon Nancarrow and Hans-Joachim Hespos. Otte also commissioned many new works for the festival.

See list of historic rock festivals for a more comprehsive list of early rock/pop festivals, detailing live psychedelic rock, electronic rock and nu jazz in the 1960s and 1970s, all of which feature electronic elemts.

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Mostly orited around jazz and blues to start, this annual festival soon became a showcase for progressive rock as well, featuring groups such as the psychedelic rock group Cream.

Th became the first music festival to embrace punk rock and new wave in the late 1970s, wh The Jam, Sham 69, The Stranglers and Petration were among the headline acts.

It was organized and sponsored by the Italian record industry association, AFI, and by RAI, except for the editions betwe 1995 and 2000, in which the festival was organized and broadcast by Mediaset.

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The Trips Festival on January 21–23, 1966 was the most attded and advertised of the early Acid Tests evts, which were started in late 1965.

On Saturday January 22, the Grateful Dead and Big Brother and the Holding Company came on stage, and 6, 000 people arrived to imbibe punch spiked with LSD and to witness one of the first fully developed light shows of the era.

An experimtal international festival, a number of electroacoustic works were prested during its run, with artists such as Dave Tudor and John Cage performing in 1971.

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The Summer of Love from 1967 to 1968 was an important aspect of the counterculture movemt of the 1960s, which was closely tied with alternative music and free rock festivals featuring gres such as psychedelic rock. The developmt of better electronic speaker equipmt allowed for massive concerts to attract hundreds of thousands of attdees. Started with the Fantasy Fair and Magic Mountain Music Festival in Marin County, California, the other significant shows in California included the Monterey Pop Festival, the San Francisco Pop Festival, the Los Angeles Pop Festival, Newport Pop Festival, and Northern California Folk Rock Festival I and II. Notable shows not in California included the Miami Pop Festival I and II in Florida, and the Isle of Wight Festival in gland. By 1969, similar festivals were appearing all over the world, bringing alternative music to increasingly mainstream audices.

The 1970 evt was by far the largest and most famous of these early festivals and the unexpectedly high attdance levels with estimates of over 600, 000 led, in 1971, to Parliamt passing the "Isle of Wight Act" prevting gatherings of more than 5, 000 people on the island without a special licse.

This historically and culturally notable festival is known to have served as a defining momt for baby boomers. Performers included Joe Cocker, Jimi Hdrix and Santana among many others, with gres such as acoustic music, folk music, and psychedelic rock. From August 15–18, Woodstock had an audice of over 400, 000 young people.

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A DJ played records for early arrivals starting Friday eving, and continued to do so betwe many of the sets until the d. The festival featured a line-up of the top American west coast and British bands of the day, including Santana, The Flock, Led Zeppelin (headlining act), Pink Floyd, etc.

The first World's Fair held in Japan, which featured a number of electronic music exhibits. The West German pavilion, designed by Fritz Bornemann, featured the world's first spherical concert hall.

Early Japanese computer music compositions include a piece by Kjiro Ezaki prested during Osaka Expo '70. Since th, Japanese research in computer music has largely be carried out for commercial purposes in popular music, though some Japanese musicians used large computer systems such as the Fairlight in the 1970s

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Hosted by the Institut International de Musique Electroacoustique de Bourges in France. Composers submit works which are assessed by an international jury.

A British free festival organised by some London commune dwellers, notably Ubi Dwyer and Sid Rawle. The evt was brutally suppressed by the police, which led to a public outcry about the tactics involved. In 1975, both Ubi Dwyer and Sid Rawle were imprisoned for attempting to promote a 1975 Windsor Festival.

A yearly international conferce for computer music researchers and composers. It is the annual conferce of the International Computer Music Association (ICMA).

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A festival compassing some 60 shows, with over 200 artists on 13 stages within a week. The shows represt diverse gres, oft experimtal and electronic. The ever-growing public is composed primarily of young people (91% are under 35), and over 200, 000 people attd the festival each year.

The rock festival was noteworthy because of the importance of the headliner bands that played, the timing in the evolution of new wave music, and from the size of the crowd.

The festival was ramed in 1998. It has featured electroacoustic musicians such as Julio Roloff. Juan Blanco created it with the purpose of presting Cuban composer's electroacoustic and avant-garde works to an international audice, and to establish relationships with foreign composers and artists.

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Originally held at SO36 in Kreuzberg, the early years of Atonal fostered revolutionary and innovative musical acts such as Psychic TV, Einstürzde Neubaut, Test Dept, 808 State, and Die Haut, among many others.

Throughout the 1980s, Berlin Atonal was at the vanguard of the progressive electronic and experimtal music and art sces in Berlin. The festival closed in 1990. In 2013, Berlin Atonal was at a massive abandoned powerplant in Berlin-Mitte.

Organised by the Artists-in-Berlin-Program of the DAAD, in cooperation with the Electronic Studio of the TU Berlin since 1982, the festival is dedicated to electro-acoustic music and sound art.

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That was fashion-aware, gay-fridly, and that appreciated dance music and op, outrageous celebration. Forty Rat Parties were organized by the Recreational Arts Team betwe 1983 and 1992.

A week-long electronic music evt, held every March in various clubs in Miami. It is aimed at professionals such as DJs, record label represtatives and promoters. The evt is also considered a mecca for clubbers, and it features the International